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Mariam Ahmed
Mariam is Associate Editor at Intermission. Mariam earned her Honours BA in English literature from York University and recently completed a Graduate Certificate program from Centennial College in Book and Magazine Publishing. When she's not busy reading books and plays, she takes pictures of books for her "Bookstagram", watches as many movies and shows as she can, and is a self-proclaimed Chocoholic.
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iPhoto caption: The cast of Flex. Photo by Elana Emer.
REVIEW: Flex delivers a stirring portrait of ambition, girlhood, and loyalty
The train is only as strong as its weakest link — and in Flex, every player on and offstage pulls with heart, grit, wit, and charm.
iPhoto caption: Photos courtesy of Lighthouse Festival.
Lighthouse Festival shines a light on Canadian comedies this summer
“When you laugh with a character, you connect with their story,” says artistic director Jane Spence. “You have more empathy and compassion for whatever their journey is. I believe that humour opens us up to each other’s life experiences. It’s what connects us.”
iPhoto caption: Pictured (L to R): Jake Epstein as Frank, Isabella Esler as Alice. Photo by Michael Cooper.
REVIEW: Britta Johnson’s Life After shimmers in large-scale Mirvish transfer
The show’s tender excavation of grief’s ambiguities hasn’t lost any power in its journey to a bigger house; in fact, it’s clearer than ever.
iPhoto caption: Kamyar Pazandeh and Julia McLellan in 'Waitress.' Photo by Dahlia Katz.
Ahead of the musical’s upcoming run at Hamilton’s Theatre Aquarius, I spoke with the production’s props and scenic design department to find out how they’re making the pie magic happen.
iPhoto caption: Photo by Jae Yang.
REVIEW: Tarragon’s wonderful Benevolence reflects on diaspora, community, and place
Playwright-performer Kevin Matthew Wong’s script is heartfelt, conversational, and at times poetic, moving effortlessly between heavier moments of grief and lighter moments of joy and humour.
iPhoto caption: Photo courtesy of York University.
“I think the fundamental issue is that the foundation of inequity is still intact,” says co-curator Mariló Nuñez. “If you think about when Canadian theatre was first established, the theatre we were watching and learning about was Eurocentric, Western theatre… We place everything against that [perceived] ideal. Until that changes, I don’t think we can really make a change.”
Theatre This Week: February 3 – 9
These are the plays to see in Toronto for the week of February 3rd - 9th.
Season Announcement: Canadian Stage 2020-2021
“What audiences will see and experience on our stages are world-leading theatre makers and choreographers from Canada and around the world and this could not have been achieved without our incredible community partners.”
Theatre This Week: January 27 – February 2
These are the plays to see in Toronto for the week of January 27th - February 2nd.
Every week, Intermission's Insider Intel articles one theatre across the city, highlighting everything you need to know before your visit. This week: Soulpepper!
Theatre This Week: January 20 – 26
These are the plays to see in Toronto for the week of January 20th - 26th.
Obsidian Theatre Announces its New Artistic Director
"Over the course of my career, I have been passionate about creating work that explores the depth and breadth of the Black voice in its many artistic dialects and having an opportunity to continue to do this within the context of Obsidian is such a gift.”
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