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Mariam Ahmed
Mariam is Associate Editor at Intermission. Mariam earned her Honours BA in English literature from York University and recently completed a Graduate Certificate program from Centennial College in Book and Magazine Publishing. When she's not busy reading books and plays, she takes pictures of books for her "Bookstagram", watches as many movies and shows as she can, and is a self-proclaimed Chocoholic.
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iPhoto caption: Steven Gallagher for Intermission. Photo by Dahlia Katz.
A love of theatre runs so deeply through Gallagher’s bones that you’d think it was a path he began to follow as soon as he could walk and talk. But for a boy who came of age on a rustic farm in Quebec and favoured sports venues over stages in high school, an eventual career in theatre was hardly a given.
iPhoto caption: Miriam Fernandes as the Storyteller, with Anaka Maharaj-Sandhu as Arjuna and Neil D'Souza as Krishna in Why Not Theatre’s Mahabharata (Shaw Festival, 2023). Photo by David Cooper. Set design by Lorenzo Savoini, costume design by Gillian Gallow, lighting design by Kevin Lamotte, projection design by Hana S. Kim.
For the creators of Why Not Theatre’s Mahabharata, nothing is more contemporary than an ancient epic
“I’ve been [telling] the company to embrace time as a collaborator,” says director Ravi Jain ahead of the show’s April run at Canadian Stage.
iPhoto caption: Kayla Sakura Charchuk, Jay Leonard Juatco, Kimberly-Ann Truong, Jun Kung, and Raugi Yu in Cambodian Rock Band. Set design by Jung-Hye Kim, costume design by Stephanie Kong, lighting design by Itai Erdal. Photo by Moonrider Productions.
REVIEW: Cambodian Rock Band makes scintillating Canadian premiere at Vancouver’s Arts Club
Jumping back and forth through time, it weaves the story of a father-daughter relationship together with high-energy musical performances and meditations on the traumatic effects of the Cambodian genocide.
iPhoto caption: L to R: Louise Duff (Ruth), Meg Farhall (Mrs. Bradman), Corrine Koslo (Madame Arcati), Tyrell Crews (Charles), and Christopher Hunt (Dr. Bradman) in Blithe Spirit at Theatre Calgary. Photo by Trudie Lee.
At Theatre Calgary, Corrine Koslo returns to the role of Madame Arcati after 20 years away
“I’m still flying around a bit but I’m not, you know, leaping six feet into the air and things like that,” says Koslo. “And I don’t need to. Then, I did. That was who I was and that’s who I brought to the table.”
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
iPhoto caption: Photo of Tara Sky by Jeremy Mimnagh. Set design by Shannon Lea Doyle, costume design by Asa Benally, lighting design by Hailey Verbonac.
REVIEW: The Born-Again Crow is an ardent ode to unproductivity
Director Jessica Carmichael’s Toronto premiere production trucks along with the passionate force of an early-2000s emo rock hit, imbuing this systemic critique with rousing, playful life.
Theatre This Week: February 3 – 9
These are the plays to see in Toronto for the week of February 3rd - 9th.
Season Announcement: Canadian Stage 2020-2021
“What audiences will see and experience on our stages are world-leading theatre makers and choreographers from Canada and around the world and this could not have been achieved without our incredible community partners.”
Theatre This Week: January 27 – February 2
These are the plays to see in Toronto for the week of January 27th - February 2nd.
Every week, Intermission's Insider Intel articles one theatre across the city, highlighting everything you need to know before your visit. This week: Soulpepper!
Theatre This Week: January 20 – 26
These are the plays to see in Toronto for the week of January 20th - 26th.
Obsidian Theatre Announces its New Artistic Director
"Over the course of my career, I have been passionate about creating work that explores the depth and breadth of the Black voice in its many artistic dialects and having an opportunity to continue to do this within the context of Obsidian is such a gift.”
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