Kimwun-Perehinec-2.jpg
Mariam Ahmed
Mariam is Associate Editor at Intermission. Mariam earned her Honours BA in English literature from York University and recently completed a Graduate Certificate program from Centennial College in Book and Magazine Publishing. When she's not busy reading books and plays, she takes pictures of books for her "Bookstagram", watches as many movies and shows as she can, and is a self-proclaimed Chocoholic.
LEARN MORE
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Psychology and ideology collide in Necessary Angel’s austere Winter Solstice
Winter Solstice left me in a state of tension — pondering whether, in a similar situation, I’d be more likely to flirt with or kill a potentially evil man.
Armchairs, tattoos, and an online theatre magazine
When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.
iPhoto caption: Headshot courtesy of Marcia Johnson.
Speaking in Draft: Marcia Johnson
"The whole reason I started writing was to give myself work, because I just wasn't getting lead roles, I wasn't getting interesting roles, and I knew that I could carry them off," says Johnson. "My goal when I wrote You Look Great Too was for people to say, ‘Oh my gosh, yes, she can play a lead’ — and then I would never have to write again. Then it turned out that writers were more in demand. I thought ‘OK, maybe I’ll write a few more plays.’"
iPhoto caption: Photo by Ann Baggley.
REVIEW: Here For Now’s Dinner with the Duchess is an aching étude on the cost of creative passion
Dinner with the Duchess is a tallying of an artistic life’s costs that builds a symphony out of simple presentation, resounding long past the final note.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Wights sizzles with ambition at Crow’s Theatre
While the play’s genre-straddling form feels slightly too ambitious for its concept, this sheer ambition is exciting, challenging audiences to think, while warning us that we can only go so far with words.
Announcing the winners of the 2024 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.
Theatre This Week: February 3 – 9
These are the plays to see in Toronto for the week of February 3rd - 9th.
Season Announcement: Canadian Stage 2020-2021
“What audiences will see and experience on our stages are world-leading theatre makers and choreographers from Canada and around the world and this could not have been achieved without our incredible community partners.”
Theatre This Week: January 27 – February 2
These are the plays to see in Toronto for the week of January 27th - February 2nd.
Every week, Intermission's Insider Intel articles one theatre across the city, highlighting everything you need to know before your visit. This week: Soulpepper!
Theatre This Week: January 20 – 26
These are the plays to see in Toronto for the week of January 20th - 26th.
Obsidian Theatre Announces its New Artistic Director
"Over the course of my career, I have been passionate about creating work that explores the depth and breadth of the Black voice in its many artistic dialects and having an opportunity to continue to do this within the context of Obsidian is such a gift.”
Comments