Skip to main content

Ryan Cunningham

int(0)
/By / Mar 26, 2024
SHARE

Brock Poirier
WRITTEN BY

Brock Poirier

LEARN MORE

Comments

iPhoto caption: Photo by Dahlia Katz.

The Wrong Bashir is a celebration of family both on and off the stage

“What's great about this play,” says actor Sugith Varughese, “is that it respects and honours the culture and traditions of [the Ismaili] community, but also it takes them for granted. Non-Ismaili audiences are going to be dropped into the world of this family, this community. It’s a bit ‘inside baseball’ to start, but you’ll figure it out. It’s like a medical show where you just get caught up in the jargon. What Zahida is doing… represents a maturity of cultural expression, which is why I wanted to do the play.”

By Nathaniel Hanula-James
iPhoto caption: Photo by Dahlia Katz.

REVIEW: seven methods of killing kylie jenner is vital and raw

seven methods of killing kylie jenner is a slam dunk, a poignant meditation on Black womanhood, internet culture, and the cult of celebrity.

By Aisling Murphy
Headshot of Stephen Gallagher iPhoto caption: Headshot of Stephen Gallagher

Murder at Ackerton Manor pays homage to Agatha Christie with a puzzle box of laughs

“All the tropes are in there,” assures playwright-director Steven Gallagher. “There’s a German professor, a dowdy British monarchist, a Southern belle.” Naturally, a murder ensues, and the culprit must be found.

By Nathaniel Hanula-James

With the Canadian Festival of New Musicals, Musical Stage Company shines a light on works in development

"What people need is work that speaks to what they’re going through and experiencing, and what people are trying to puzzle out," says Hogg. "Why do I feel this way? Who am I? What am I doing with my life? These are the same questions we’ve been asking since the Greeks and the ancient Africans. Those questions are huge — and music can help answer them.”

By Aisling Murphy
crow's theatre iPhoto caption: Crow's associate artistic director Paolo Santalucia and artistic director Chris Abraham.

For the leadership at Crow’s Theatre, investing in local talent is crucial

“We want a sustainable future, where Toronto is a theatre city, a destination,” says artistic director Chris Abraham. “There is tremendous potential for that. But in order to be a big international theatre city, we have to take big swings.”

By Aisling Murphy

Speaking in Draft: Rachel Forbes

Rachel Forbes’ wide-ranging career has set this artist in a league of her own. The award-winning set and costume designer’s work has appeared across the country in productions by the ​​Shaw Festival, Buddies in Bad Times, Obsidian Theatre, Neptune Theatre, Centaur Theatre, and more.

By Nathaniel Hanula-James