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Eleanor Yuneun Park
Eleanor Yuneun Park is an undergraduate student at the University of Toronto, studying English and Religion. She is the Editor-in-Chief of The Varsity, the University of Toronto's tri-campus newspaper, and she participated in the New Young Reviewers Program for the 2023 Toronto Fringe Festival. Eleanor is drawn to postcolonial theatre and anything by the creatives of her generation.
LEARN MOREREVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.

“It’s got to be my favourite [Shakespeare play] at this point,” says Abbey. “I don't understand why it's so rarely done. It’s listed as a ‘problem play,’ and I see that, but I have had such beautiful experiences with it throughout my life… I think it has the ability to unite audience and cast in a deeply human event.”

REVIEW: A new Emma Donoghue musical takes root at the Blyth Festival
As a resident of southwestern Ontario, what struck me most is how deeply rooted in the region The Wind Coming Over the Sea feels. It's a lively reminder of the cultural inheritances that continue to shape the area today.
Toronto Fringe is getting ready to send in the clowns
If there’s one notable trend in the 2025 Toronto Fringe lineup, it’s that this year's festival will feature more clowns than you can fit into a very small car.
As far as Beatriz Pizano is concerned, every theatre artist already has a Dora
"From 2010 to the pandemic, [Aluna Theatre's] energy was totally devoted to creating a community of Latinx artists," says this year's Silver Ticket Award recipient. "Now they’ve grown up, and a lot of them are being produced by other companies. Creating that space has been a huge responsibility and I never take it lightly."
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
REVIEW: The Wrong Bashir is an ode to the hyphenated identities of Canada
Quibbles on the show's comedy aside, The Wrong Bashir will stay with me for a while as a successful ode to hyphenated identities across Canada.
REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended
In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.
REVIEW: Migraaaants is not a dark comedy. And that’s okay.
From the very beginning of playwright Matei Visniec and director Siavash Shabanpour’s Migraaaants, the show's narrator is domineeringly captivating.
REVIEW: In Prophecy Fog, Jani Lauzon ceremonially reclaims the Giant Rock
We are as significant as a star and a stone. A star and a stone are as significant as us. With this logic, Lauzon breathes life into the Giant Rock and reclaims its existence and sacredness.
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