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/By / Mar 7, 2024
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Eleanor Yuneun Park
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Eleanor Yuneun Park

Eleanor Yuneun Park is an undergraduate student at the University of Toronto, studying English and Religion. She is the Editor-in-Chief of The Varsity, the University of Toronto's tri-campus newspaper, and she participated in the New Young Reviewers Program for the 2023 Toronto Fringe Festival. Eleanor is drawn to postcolonial theatre and anything by the creatives of her generation.

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iPhoto caption: Photo by Dahlia Katz.

REVIEW: The Wrong Bashir is an ode to the hyphenated identities of Canada

Quibbles on the show's comedy aside, The Wrong Bashir will stay with me for a while as a successful ode to hyphenated identities across Canada. 

By Eleanor Yuneun Park

REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended

In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.

By Eleanor Yuneun Park

REVIEW: Migraaaants is not a dark comedy. And that’s okay. 

From the very beginning of playwright Matei Visniec and director Siavash Shabanpour’s Migraaaants, the show's narrator is domineeringly captivating.

By Eleanor Yuneun Park
iPhoto caption: Photo by Dahlia Katz.

REVIEW: In Prophecy Fog, Jani Lauzon ceremonially reclaims the Giant Rock

We are as significant as a star and a stone. A star and a stone are as significant as us. With this logic, Lauzon breathes life into the Giant Rock and reclaims its existence and sacredness. 

By Eleanor Yuneun Park