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Zoe Marin
Zoe Marin (she/her) is an Argentine-American theatre artist (director, writer, performer) and comedian (sketch, stand-up, musical comedy). She holds a BFA in Theatre from York University, and recently participated in the Toronto Fringe New Young Reviewers Program. Zoe loves: horror, comedy, music, politics, and pop culture, and hopes you see that in her work.
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iPhoto caption: Photo by Jeremy Mimnagh.
Roberto Zucco marks a new era in Buddies’ history of queer theatre
Toronto theatre can be a bit risk-averse. Artistic directors, constrained by limited funding, program obvious crowd-pleasers over boundary-pushing experiments. Playwrights, afraid to ruffle feathers, create spaces that validate the public’s...
iPhoto caption: Headshot courtesy of Justin Miller.
Speaking in Draft: Justin Miller
“I love to laugh,” says Miller, an actor, bouffon drag clown, performance artist, and teacher extraordinaire. “Some of the most impactful and meaningful experiences I've had have been shared through a comedic lens. I think you have a far better chance of actually changing people with comedy, because it's in moments of surprise and subversion of expectation that you have a chance to knock them off their balance, and maybe show them something new.”
iPhoto caption: Photo by Johan Persson.
REVIEW: Life of Pi gleams with unforgettable puppets
Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.
iPhoto caption: Photo by Elana Emer.
REVIEW: Infinite Life thrums with meditations on chronic illness and pain
Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
iPhoto caption: Festival image of Jessica Zepeda by Ana Higuera, poster design Victor Terzis
Aluna Theatre drops 2024 RUTAS Festival lineup
The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”
iPhoto caption: Photo by Jeremy Mimnagh.
REVIEW: On the Other Side of the Sea toys with human desires and fears
The absurdist, magical play follows the unexpected relationship between an idealistic fisherman and a stubborn businesswoman.
iPhoto caption: Guildwood photo by Sean Stone, Dead Parents Society photo by Dahlia Katz.
REVIEW: Guildwood and Dead Parents Society traverse time and genre to examine community
Whether of laughter, sadness, or sympathy — there will be tears. And is that not what Aristotle said theatre was for?
REVIEW: Music, Then Comedy epitomizes the best of Canadian improv
While it may not be Canada Council-approved theatre, Music, then Comedy is definitely art.
REVIEW: CANOE brings mystical, operatic flair to Canada’s dark history
Through a minimalist aesthetic and a score that blends classical music with non-conventional elements, CANOE presents a deeply personal portrayal of two sisters grappling with the past.
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