First-Metis-Man-of-Odesa-review
Liliia Smichenko
Liliia is a writer from Ukraine based in Toronto where she graduated from Humber College's journalism program. With a focus on arts and entertainment, she finished her internship at Florence University of the Arts in Italy. Her work has been published in places like smART Magazine, Humber Literary Review, and Blending Magazine. She is passionate about creative writing, books, and theatre, and loves when all those things come together.
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iPhoto caption: Wonderful Joe production still by Ian Jackson.
‘What the hell do I do with all these puppets?’: Inside the wonderful world of Ronnie Burkett
“More than a few people said to me, ‘so this is your last show’,” says the legendary puppeteer ahead of his production of Wonderful Joe at TO Live. “Trust me, I never said this is my last show. I think that’s maybe a bit of ageism, or wishful thinking.”
iPhoto caption: The Anger in Ernest and Ernestine production still by Curtis Perry.
REVIEW: The Anger in Ernest and Ernestine simmers just below the surface
While the show certainly induces laughter, some of its strong design elements paint the actors into a corner, at times making the comedy feel a touch manufactured.
iPhoto caption: Samca production still by Barry McCluskey.
REVIEW: Samca is a disturbing, unique production that explores folklore and womanhood
The feminist folklore play, written by and starring Natalia Bushnik and Kathleen Welch, is an engrossing and sometimes frightening experience, perfect to kick off the scary season.
iPhoto caption: King James production still by Dahlia Katz.
REVIEW: King James interrogates hometown pride and fandom
LeBron James’ checkered legacy looms large over the events of King James, sensitively written by American playwright Rajiv Joseph and now playing in a stylish production at Theatre Aquarius.
iPhoto caption: Prude production photo by Daniel Wittnebel
Toronto Fringe unveils 2024 Next Stage programming
The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.
iPhoto caption: Come From Away production still by Matthew Murphy.
REVIEW: Welcome home, Come From Away
On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.
REVIEW: First Métis Man of Odesa at Punctuate! Theatre/Theatre Centre
First Métis Man of Odesa captures how the fates of two people are entwined into global events larger than life, and how one cannot exist without the other.
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