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Andrea Perez
Andrea Perez is an interdisciplinary theatre artist who enjoys acting, writing, directing, and producing. She is an undergraduate student at the University of Toronto studying Drama, Classical Civilizations, and Creative Writing, exploring storytelling and people in their many facets. She is a member of the 2023 cohort of the IBPOC Critics Lab, supported by Intermission Magazine and the Stratford Festival.
LEARN MOREREVIEW: Mirvish’s Just For One Day gives Live Aid the showchoir treatment
It’s a group effort to a rather incredible degree — many of the songs are essentially riff battles, with the singers hot-potatoing the melody around.
REVIEW: A Streetcar Named Desire pulls into Theatre Calgary for the first time in 40 years
You’ll find everything you might expect from a take on A Streetcar Named Desire: sensuality, top-notch performances, and all.
REVIEW: Cliff Cardinal’s CBC Special is a real gem
Cliff Cardinal’s CBC Special may not broadcast on Canadian television, but it is, indeed, quite special.
REVIEW: La Reine-garçon hits like an avalanche at the COC
This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.
REVIEW: In Why It’s (im)Possible at GCTC, parenting is an ever-evolving process
In the context of an increasingly difficult political and social climate for trans youth, Why It’s (im)Possible addresses the need for familial support.
Circus version of Swan Lake touches down at Meridian Arts Centre
This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.
REVIEW: Two site-specific TIFT shows flirt with nonconformity
Screw the proscenium: a house kitchen and a warehouse take front and centre in Talk Is Free Theatre's productions of Cock and For Both Resting and Breeding.
REVIEW: Comedy-horror hybrid Dead Broke successfully spooks
While the non-horror aspects of the show lean towards the more amateur, the scares are incredibly successful. This show pulls off the theatrical horror with seeming ease: That’s reason enough to check it out for yourself.
Gatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
Stratford Festival review: The Goat or, Who Is Sylvia? A review in five acts
The Goat, or Who Is Sylvia? delivers an off-kilter comedy and disturbing tragedy in a fashion that would make the Ancient Greeks proud.
REVIEW: The Last Timbit is a surprisingly charming commercial gem
The Last Timbit, a show of snow and sweets, had a limited run at the Elgin Theatre in June and is getting a streaming release on Crave on August 12. I, for one, am more than curious to see how a wider audience will react.
REVIEW: Icarus Theatre’s Fiji combines competing genres
If you enjoy the pitch of a rom-com true-crime mesh, this one's for you. Even if it's not perfect, it's a charming, nimble watch that tugs at the heartstrings.
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