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Eleanor Yuneun Park
Eleanor Yuneun Park is an undergraduate student at the University of Toronto, studying English and Religion. She is the Editor-in-Chief of The Varsity, the University of Toronto's tri-campus newspaper, and she participated in the New Young Reviewers Program for the 2023 Toronto Fringe Festival. Eleanor is drawn to postcolonial theatre and anything by the creatives of her generation.
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iPhoto caption: Photo by Randy deKleine-Stimpson.
GCTC solo show traces the complex journey of parenting a trans child
“At the end of the day, the play is trying to show the messiness of parenthood, that it's not about perfection,” says Why It’s imPossible playwright Sophia Fabiilli ahead of the show’s run at the Great Canadian Theatre Company in Ottawa. “It's about finding where the discomfort is.”
iPhoto caption: Photo by Fran Chudnoff.
REVIEW: Bad New Days’ Last Landscape unearths raw feelings about the natural world
Last Landscape uses physical theatre, puppetry, and found objects to erode the boundaries between art and nature, human and environment.
iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
iPhoto caption: Photo by Dahlia Katz.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
iPhoto caption: The team behind The Nine Lives of Ross Fordham poses for a photo. Photo courtesy of Theatre Aquarius.
Theatre Aquarius’ newest musical weaves a family tapestry out of stories and songs
Police officer Ross Fordham’s grandchildren and great-grandchildren are the talents behind the production, which opens on January 10 at Theatre Aquarius in Hamilton.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: The Wrong Bashir is an ode to the hyphenated identities of Canada
Quibbles on the show's comedy aside, The Wrong Bashir will stay with me for a while as a successful ode to hyphenated identities across Canada.
REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended
In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.
REVIEW: Migraaaants is not a dark comedy. And that’s okay.
From the very beginning of playwright Matei Visniec and director Siavash Shabanpour’s Migraaaants, the show's narrator is domineeringly captivating.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Prophecy Fog, Jani Lauzon ceremonially reclaims the Giant Rock
We are as significant as a star and a stone. A star and a stone are as significant as us. With this logic, Lauzon breathes life into the Giant Rock and reclaims its existence and sacredness.
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