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REVIEW: The Wrong Bashir is an ode to the hyphenated identities of Canada

Quibbles on the show's comedy aside, The Wrong Bashir will stay with me for a while as a successful ode to hyphenated identities across Canada. 

REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended

In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.

REVIEW: Migraaaants is not a dark comedy. And that’s okay. 

From the very beginning of playwright Matei Visniec and director Siavash Shabanpour’s Migraaaants, the show's narrator is domineeringly captivating.

REVIEW: In Prophecy Fog, Jani Lauzon ceremonially reclaims the Giant Rock

We are as significant as a star and a stone. A star and a stone are as significant as us. With this logic, Lauzon breathes life into the Giant Rock and reclaims its existence and sacredness.