Copy-of-CoMotion-Review
Stephen Low
Stephen Low received his PhD from Cornell University in April 2016, where he also received his Masters in Theatre Studies in 2014. He received his first Masters from the University of Texas at Austin in the Performance as Public Practice Program. His scholarly interests include twentieth-century theatre and performance, dance, musicals, queer theory, sex and sexuality, gender, critical race studies, and gay culture. His current book project, Hail Mary: The Theatrical Constitution of Gay Culture, identifies theatricality as the constitutive feature of contemporary gay culture. His essays have been published in Modern Drama, Theatre Research in Canada, Canadian Theatre Review, Queer Theatre in Canada. Critical Perspectives in Canadian Theatre in English Series, Opera Canada, and Intermission.
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iPhoto caption: Production stills from Faust and Nabucco courtesy of the Canadian Opera Company.
REVIEW: Excellent singing elevates lacklustre productions in Faust and Nabucco
Both operas in the Canadian Opera Company’s current fall repertoire, Faust and Nabucco, include stellar performances from world-class singers in productions featuring directorial and design choices that abandon historical accuracy and realistic mise-en-scène to varying degrees of success.
iPhoto caption: Photo by Michael Cooper
REVIEW: Chiara Isotton burns like a supernova in COC’s Medea
Isotton is riveting, offering a masterful vocal and physical performance that swings wildly from one emotional episode to the next.
iPhoto caption: Photo courtesy of Canadian Opera Company.
REVIEW: A new take on Don Pasquale re-imagines its lead as a cat-loving crank
If you love cats, you’ll like Barbe & Doucet’s production of Don Pasquale.
REVIEW: Little Shop of Horrors at Capitol Theatre Port Hope
The performances in Little Shop of Horrors at the Cameco Capitol Theatre in Port Hope are proof that there is formidable talent in theatres out of town that aren’t part of the Stratford and Shaw festivals.
iPhoto caption: Photo by Michael Cooper
REVIEW: Tosca and Macbeth at Canadian Opera Company
Be it the lush and extravagant production of Tosca or the brooding and eerie production of Macbeth, both operas capture the spirit of romantic opera to delight audiences.
REVIEW: The Marriage of Figaro at Canadian Opera Company
Guth’s staging highlights the profound dimensions of human relationships in his exploration of individuals torn between morality, desire, and impulse.
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