Copy-of-CoMotion-Review
Stephen Low
Stephen Low received his PhD from Cornell University in April 2016, where he also received his Masters in Theatre Studies in 2014. He received his first Masters from the University of Texas at Austin in the Performance as Public Practice Program. His scholarly interests include twentieth-century theatre and performance, dance, musicals, queer theory, sex and sexuality, gender, critical race studies, and gay culture. His current book project, Hail Mary: The Theatrical Constitution of Gay Culture, identifies theatricality as the constitutive feature of contemporary gay culture. His essays have been published in Modern Drama, Theatre Research in Canada, Canadian Theatre Review, Queer Theatre in Canada. Critical Perspectives in Canadian Theatre in English Series, Opera Canada, and Intermission.
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iPhoto caption: Photo by Kendra Epik.
REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling
House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Red Snow Collective’s Carried by the River is still finding its flow
Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.
iPhoto caption: Photo courtesy of the CBC.
As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers
“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience
Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.
iPhoto caption: Photo by Olya Glotka.
REVIEW: At Factory Theatre, Kelly Clipperton’s new solo show transforms memory lane into a catwalk
Supported by Naomi Campbell’s glamorously grounded direction, which glides over the keys of sharply contrasting emotional scales, Clipperton paints a quippy, unapologetic, nostalgically referential portrait.
iPhoto caption: Production stills from Faust and Nabucco courtesy of the Canadian Opera Company.
REVIEW: Excellent singing elevates lacklustre productions in Faust and Nabucco
Both operas in the Canadian Opera Company’s current fall repertoire, Faust and Nabucco, include stellar performances from world-class singers in productions featuring directorial and design choices that abandon historical accuracy and realistic mise-en-scène to varying degrees of success.
iPhoto caption: Photo by Michael Cooper
REVIEW: Chiara Isotton burns like a supernova in COC’s Medea
Isotton is riveting, offering a masterful vocal and physical performance that swings wildly from one emotional episode to the next.
iPhoto caption: Photo courtesy of Canadian Opera Company.
REVIEW: A new take on Don Pasquale re-imagines its lead as a cat-loving crank
If you love cats, you’ll like Barbe & Doucet’s production of Don Pasquale.
REVIEW: Little Shop of Horrors at Capitol Theatre Port Hope
The performances in Little Shop of Horrors at the Cameco Capitol Theatre in Port Hope are proof that there is formidable talent in theatres out of town that aren’t part of the Stratford and Shaw festivals.
iPhoto caption: Photo by Michael Cooper
REVIEW: Tosca and Macbeth at Canadian Opera Company
Be it the lush and extravagant production of Tosca or the brooding and eerie production of Macbeth, both operas capture the spirit of romantic opera to delight audiences.
REVIEW: The Marriage of Figaro at Canadian Opera Company
Guth’s staging highlights the profound dimensions of human relationships in his exploration of individuals torn between morality, desire, and impulse.
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