A Grimm Night review
Asenia Lyall
Asenia Lyall is a recent graduate of Brock University's Dramatic Arts program. When it comes to theatre she does a little bit of everything, focusing on writing, dramaturgy, and performance. She is a firm believer that brunch can and should happen at any time of day and her favourite acting credits include RED BIKE and Orlando. She is currently enrolled in Toronto Metropolitan University's MFA in Scriptwriting and Story Design.
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iPhoto caption: Photo by Jeremy Mimnagh.
Roberto Zucco marks a new era in Buddies’ history of queer theatre
Toronto theatre can be a bit risk-averse. Artistic directors, constrained by limited funding, program obvious crowd-pleasers over boundary-pushing experiments. Playwrights, afraid to ruffle feathers, create spaces that validate the public’s...
iPhoto caption: Headshot courtesy of Justin Miller.
Speaking in Draft: Justin Miller
“I love to laugh,” says Miller, an actor, bouffon drag clown, performance artist, and teacher extraordinaire. “Some of the most impactful and meaningful experiences I've had have been shared through a comedic lens. I think you have a far better chance of actually changing people with comedy, because it's in moments of surprise and subversion of expectation that you have a chance to knock them off their balance, and maybe show them something new.”
iPhoto caption: Photo by Johan Persson.
REVIEW: Life of Pi gleams with unforgettable puppets
Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.
iPhoto caption: Photo by Elana Emer.
REVIEW: Infinite Life thrums with meditations on chronic illness and pain
Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
iPhoto caption: Festival image of Jessica Zepeda by Ana Higuera, poster design Victor Terzis
Aluna Theatre drops 2024 RUTAS Festival lineup
The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”
iPhoto caption: Photo by Aidan Tooth.
REVIEW: Dinner is Served at Toes for Dance/Campbell House Museum
Dinner is Served is an immersive dance theatre piece that delivers delight on a silver platter.
REVIEW: Inge(new) at Theatre Myth Collective/Red Sandcastle Theatre
Inge(new) - In Search of a Musical sets out to tackle a lot: it’s not easy to put feminist discourse on stage in a new way.
REVIEW: A Grimm Night at TranscenDance
Exploring A Grimm Night's lush world of artistic expression is truly, yes, enchanting.
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