A Grimm Night review

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/By / Mar 7, 2024
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Man in play costume sitting on stage beneath fake tree, in purple lighting

Asenia Lyall
WRITTEN BY

Asenia Lyall

Asenia Lyall is a recent graduate of Brock University's Dramatic Arts program. When it comes to theatre she does a little bit of everything, focusing on writing, dramaturgy, and performance. She is a firm believer that brunch can and should happen at any time of day and her favourite acting credits include RED BIKE and Orlando. She is currently enrolled in Toronto Metropolitan University's MFA in Scriptwriting and Story Design.

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Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Toronto Fringe Festival promo photo by Joy Adeola. iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
Reviews

REVIEWS: Toronto Fringe Festival 2025

This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.

iPhoto caption: "My Narrator" photo courtesy of the Lighthouse Festival.
Features

Lighthouse Festival unearths rarely performed Norm Foster one-acts

“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”

By Liam Donovan
Marie Farsi for Intermission Magazine. iPhoto caption: Marie Farsi for Intermission Magazine. Photo by Dahlia Katz.
Spotlight

Spotlight: Marie Farsi

“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”

Written by Naomi Skwarna, Photography by Dahlia Katz
The company of 'The Comedy of Errors.' iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Features

Let’s-a go: Embedded with the Fools’ Comedy of Errors

While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”

By Luke Brown
iPhoto caption: Banner provided by Theatre Aquarius.
News

Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development 

“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.

By Krystal Abrigo
The company of a Company of Fools' 'The Comedy of Errors.' iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Features

As he plays Leontes at the Stratford Festival, Graham Abbey reflects on his deep bond with The Winter’s Tale

“It’s got to be my favourite [Shakespeare play] at this point,” says Abbey. “I don't understand why it's so rarely done. It’s listed as a ‘problem play,’ and I see that, but I have had such beautiful experiences with it throughout my life… I think it has the ability to unite audience and cast in a deeply human event.”

By Liam Donovan