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iPhoto caption: Rose Napoli appears as Margaret in her play Mad Madge. Photo by Dahlia Katz.
Rose Napoli reflects on Mad Madge, rom-coms, and the undeniable power of Patrick Swayze.
REVIEW: Eldritch Theatre’s The House at Poe Corner delights and disturbs
Michael O’Brien and Eric Woolfe’s mashup of Edgar Allan Poe and Winnie the Pooh is Poe-sitively droll.
iPhoto caption: Courtesy of Brampton On Stage
Brampton On Stage assembles heavenly cast for one-night-only Pasek and Paul concert
Curated by Darryn de Souza and performed by a dynamic four-piece band, the show features a cast of stellar singers led by Elysia Cruz and Julia Pulo, currently starring in Mirvish’s Six.
iPhoto caption: Image courtesy of 2b theatre.
REVIEW: Hannah Moscovitch’s Red Like Fruit is what minimalist theatre should be
The feminist movement needs a dose of medicine, and 2b theatre’s world premiere of Hannah Moscovitch’s latest work, Red Like Fruit, is a horse pill.
REVIEW: Tarragon’s El Terremoto offers a delicate look at a family navigating disaster
Playwright Christine Quintana’s attention to character sets El Terremoto apart.
Speaking in Draft: Zahra Ebrahim
Think of a lot of our major cultural institutions: theatres, galleries, museums. A lot of them are designed in this way where it’s not clear who is welcome, because they are so pristine.
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