asses.masses
The good and the bad (and everything in between)
If we’re not building a theatre that can hold the contradictions of our time, let alone the contradictions that make humans human, we probably shouldn’t be making theatre.
iPhoto caption: Photo by Francisco Castro Pizzo.
REVIEW: asses.masses is an endurance performance that takes boredom as its subject
By the sixth or seventh hour, I indeed felt like a worker at the factory of cultural production. I began to ask myself if the demands of the job were too high, if the compensation was fair, and if I felt fulfilled or alienated from working for the proverbial man.