Courtney Ch'ng Lancaster
iPhoto caption: Nicholas Eddie and Tantoo Cardinal in 'Witch.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Witch is thematically alluring but dramatically thin
Jen Silverman’s play aspires to communicate something substantive about the human condition — touching on loneliness, ostracization, misogyny, ageism, yearning, and ego — yet it never quite settles on a cohesive or definitive thesis. Lancaster’s production commits to heady visuals and clever idiosyncrasies to fill the gap, with mixed results.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Hypothetical Baby exquisitely untangles abortion, white feminism, and Sylvia Plath
Rachel Cairns had an abortion. And the actor-slash-playwright is here to tell you why.
‘It’s Definitely Worth the Trip’: In Conversation with The 39 Steps at County Stage
The two-time Tony-winning story will see its first ever site-specific outdoor production, courtesy of the County Stage Company.
REVIEW: Everybody at Theatre@York
You may not leave this production feeling any more certain about what happens when we die than you did when you arrived, but hey — you’ll have seen some young artists experimenting with their craft and you’ll have laughed doing so. Surely that makes the inevitability of death an easier pill to swallow.