They hit every note, every punchline, every exaggerated pose and expression with a commitment and conviction that would have felt right at home on a Broadway stage.
“I mean… what does it actually look like to create work? To produce work? To move into a production? We’re constantly working with these finite resources — time, money, space — and so a lot of our internal reflection has been looking at how do we make this process of making and sharing art more human? More flexible, more adaptable to being a human?”
Whether that was in Montreal or from mentors in Edmonton, I had this image in my mind of this terrible place where people were always mean and dreams went to die.