While playwright Matthew MacKenzie’s lyrical storytelling is always a delight, there’s something astringent and detached about Takwahiminana that produces a distancing effect, preventing it from reaching the emotional highs of his other recent work.
“I think as Canadian theatre artists, we sometimes like to downplay our contribution,” says Chris Tolley. “But when you actually see people around the world hungry for Canadian stories, you realize we have an awful lot to contribute.”