Guillermo Verdecchia
iPhoto caption: Photo by Jae Yang.
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
REVIEW: Tarragon’s El Terremoto offers a delicate look at a family navigating disaster
Playwright Christine Quintana’s attention to character sets El Terremoto apart.
REVIEW: Feast at Prairie Theatre Exchange captures the 21st century’s tragic sprawl (Winnipeg)
As Thomas Morgan Jones’ boldly abstract production unfolds, it becomes clear that Guillermo Verdecchia has turned to narrative only for the sake of testing its limits.
iPhoto caption: Original photo by Dahlia Katz.
REVIEW: English at Soulpepper/Segal Centre for Performing Arts
English is a damn good play, with sensible pacing, eye-catching design, and haunting performances to boot.