Hannah Moscovitch
iPhoto caption: Image courtesy of 2b theatre.
REVIEW: Hannah Moscovitch’s Red Like Fruit is what minimalist theatre should be
The feminist movement needs a dose of medicine, and 2b theatre’s world premiere of Hannah Moscovitch’s latest work, Red Like Fruit, is a horse pill.
Hey, Toronto audiences! Why are we laughing at white supremacy?
By laughing at the mention of Trump, whose ethnic nationalist and white supremacist ideologies still reverberate through global policies and politics, what precisely are we signalling?
iPhoto caption: "There are some actors for whom the delight of being funny just fills up every part of what they do, and Maev Beaty is one of those actors," says director Chris Abraham. Photo by Dahlia Katz.
“I’ve really realized that those minutes that I spend on stage are minutes of my life,” says Beaty. “We're not up there to present good, clean work — we’re up there to try and catch some truth for the listener that is shared in real time. You can't do that if you're just presenting your good homework; you have to live.”
REVIEW: Post-Democracy at Tarragon Theatre
Hannah Moscovitch has returned to Tarragon. Order is restored in Canadian theatre.