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iPhoto caption: (L to R) Ron Pederson (Nils) and Alexandra Lainfiesta (Nora) in 'A Doll's House.' Photo by HarderLee.
Anita Rochon, director of A Doll’s House at Theatre Calgary, knows a good play has your back
“[I know] the rhythms and aspects of humanity that she’s interested in exploring,” Rochon said. “I’m always attracted to the complex, troubled, imperfect human. Ibsen and Herzog invite in complexity.”
iPhoto caption: Hailey Gillis and Gray Powell in 'A Doll's House.' Photo by Dahlia Katz.
REVIEW: Canadian Stage’s A Doll’s House weighs the burden of our inherited roles
Hailey Gillis' Nora is not so much a doll as she is a gifted actor, reeling through daffy comedy, seductive calculation, and suicidal ideation with ease.
iPhoto caption: Brendan Healy in rehearsal for 'A Doll's House.' Photo by Dahlia Katz.
Canadian Stage’s A Doll’s House marks the second entry in a trilogy of productions about marriage
“At 50, thinking about marriage and love, and [their] place in my life, I wanted to do an artistic deep-dive into the idea of partnership,” says director Brendan Healy.
iPhoto caption: Design rendering for 'A Doll's House,' set designed by Gillian Gallow and directed by Brendan Healy for Canadian Stage.
In Canadian Stage’s A Doll’s House, the house is a window within
“It is more about how Nora feels inside the space,” says set and costume designer Gillian Gallow. “It's also that difference between house and home — the house is the object, but the home is actually the feeling.”