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iPhoto caption: Grahpic designed by Shovemiya Packiyanathan, with photos by Michael Cooper and Emelia Hellman.

Pamela Mala Sinha passes the torch of Crash and looks toward a new era (part three)

“The play doesn’t need me,” says Pamela. “I knew it, as a playwright, but this just proves it. I felt validated in my belief that Crash has never been my play. It belongs to everyone or anyone who wants to step into The Girl."

By Nirris Nagendrarajah / Apr 24, 2026
iPhoto caption: Pamela Mala Sinha for Intermission Magazine. Photo and edit by Nirris Nagendrarajah.

‘You have to be humble about what you don’t know’: Pamela Mala Sinha reflects on the moment she became a writer (part two)

Over the course of 90 minutes, Pamela and I spoke about her trajectory from actor to first-time playwright with Crash, the frustrations and anxieties of being a working artist, and the way her family has consistently inspired both her creative and personal lives.

By Nirris Nagendrarajah / Feb 24, 2026
A woman and a man sit on a bench on stage, with a grey background. The woman wears a red jacket and red shoes, and leans onto the man, clutching his arm. They are both smiling upwards gently. iPhoto caption: Photo by Cylla von Tiedemann

REVIEW: Redbone Coonhound at Tarragon Theatre/Imago Theatre

The funniness of the play can’t be overstated: Redbone Coonhound swings hard, and under the direction of Micheline Chevrier with Kwaku Okyere it hits its targets.

By Aisling Murphy / Feb 21, 2023