Corey Payette’s On Native Land unfolds as something layered and multi-perspectival, moving between individual stories and a more panoramic awareness of larger forces at play.
By Angie Rico /Apr 28, 2026
iPhoto caption: Michaela Washburn, Teneil Whiskeyjack, Jesse Fervais, Tracey Nepinak, and Valerie Planche in 'Strife.' Photo by Jae Yang.
In plays including Bears, After the Fire, and The First Métis Man of Odesa, Métis playwright Matthew MacKenzie has centred Indigenous perspectives while examining how identity and power operate within both personal and political spheres.
While playwright Matthew MacKenzie’s lyrical storytelling is always a delight, there’s something astringent and detached about Takwahiminana that produces a distancing effect, preventing it from reaching the emotional highs of his other recent work.