Interview
iPhoto caption: Mumbi Tindyebwa Otu for Intermission Magazine. Photo by Dahlia Katz.
Spotlight: Mumbi Tindyebwa Otu
“I always question: ‘How am I going to do it?’ But the moment I get in the room with actors, it becomes clear," says Tindyebwa Otu. "We need to tell stories; we need to be in community. Every show I do, I feel like, ‘This could be the last one.’ I’ve felt like this since I became a mom. And yet, 10 years later, I’ve produced more artistic work than ever.”
iPhoto caption: Nora McLellan for Intermission Magazine. Photo by Dahlia Katz. Styled by Sonia Lewis and Dahlia Katz. Hair by Anne May. Makeup by Katelyn O'Neil.
“It’s still always that same technicolour feeling for me," says McLellan. "That little girl and this much older person are pretty much the same. I really do all of my living on stage.”
iPhoto caption: Clare Coulter in 'Queen Maeve.' Photo by Jae Yang.
Clare Coulter brings a lifetime of experience to Judith Thompson’s Queen Maeve at Tarragon
“This is the first stage play I've done in such a long time,” says Coulter, “but I feel I've really learned what the stage asks of the actor: that they go beyond what we used to call the footlights and settle in to where the audience is.”
iPhoto caption: Natasha Mumba and Eric Miracle in 'Copperbelt.' Photo by Dahlia Katz.
Copperbelt’s creative team crossed continents to do Natasha Mumba’s debut play justice
Zambian dialect coach Chiluba Katongo Nosfu worked with the cast, and also provided translation support for Mumba’s script: Copperbelt’s characters regularly interject words and phrases from Bemba — one of over 70 languages spoken in Zambia — into their English dialogue.