Interview

The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse

“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”

For director, actor, and educator Allen MacInnis, theatre is a precious opportunity for change

“You can’t perform if you’re self-conscious. It’s absolute death. And that extends to every other artist in the theatre: every designer, every director, every composer,” says the former artistic director of Young People’s Theatre. “If you’re concerned about how the audience will judge what you’ve done, something’s held back.”

For Calgary’s Kelsey Verzotti, playing Elle Woods means grappling with high notes, audience expectations, and impostor syndrome

In 2022, Verzotti became the first Asian-Canadian to play the titular redhead in Anne of Green Gables at the Charlottetown Festival. Now, she’s set to shatter more expectations as she tackles the lead role in Theatre Calgary’s Legally Blonde.