liam donovan
Introducing the next act of Intermission Magazine
Today, we’re launching some exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media.
iPhoto caption: From top left: The Seagull (Soulpepper), Hypothetical Baby (The Howland Company), As You Like It, a radical retelling (Crow's/Mirvish), Letters from Max (Necessary Angel), Maanomaa, My Brother (Canadian Stage/Blue Bird), Monster (Factory), Maggie (Theatre Aquarius), Casey and Diana (Stratford Festival), The Master Plan (Crow's). All photos except Casey and Diana by Dahlia Katz; Casey and Diana photo by Cylla von Tiedemann.
Our favourite theatre productions of 2023, in Toronto and beyond
These shows have stood the test of at least a few weeks, if not several months. Their pleasures are not transitory, but mature and long-lasting. We think of them often.
REVIEW: Things get crazy in Stratford’s Love’s Labour’s Lost — and that’s a good thing
Nearly every moment of Love’s Labour’s Lost sparkles.
iPhoto caption: Photo by Brad Vos.
REVIEW: her. at Red Sandcastle Theatre is a disquieting experiment with the solo show form
Shaw constructs a complex, three-person period piece all on her own. It’s a daring undertaking, and it occasionally pays off.