In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.
Intermission's senior editor Aisling Murphy reflects on her time as an embedded critic with the cast and creative team of The Exhale, a new play by Lisa Alves about polyamory, queerness¦and air conditioners.
It’s been one heck of a year at Intermission. After founding and leading the publication for seven years, including steering it through the pandemic, Philip Riccio decided it was time...
By Aisling Murphy, , Intermission Magazine /Dec 31, 2023