Marjorie Chan
iPhoto caption: Photo by Dahlia Katz.
The Dora Award-winning, family-friendly opera has returned to mark the opening of Tapestry's new venue on Yonge Street.
iPhoto caption: Table for Two (L) photo by Dahlia Katz, Blind Dates (R) photo by Jae Yang.
REVIEW: Table for Two and Blind Dates expand our understanding of love
Both productions suggest that the most important love story is the one we’re all still writing: the journey of embracing ourselves and our experiences.
iPhoto caption: Deanna H. Choi (left) Photo by Anja Cui / Monica Esteves (right) Photo by Dahlia Katz.
REVIEW: The Chinese Lady at Studio 180/fu-GEN Asian Canadian Theatre Company/Crow’s Theatre
The play resonates as a moving character study subtly laced with cautionary reminders of the distance between performance and truth.
REVIEW: The Year of the Cello at Theatre Passe Muraille
Marjorie Chan’s play is a pleading love letter to a Hong Kong lost to history.