Like a disco ball shimmering to a Donna Summer hit, playwright-performer Jonathan Wilson illuminates and refracts detailed memories about absent friends whose names, struggles, and lives have otherwise vanished, while walking through modern streets where a little gay hand-holding in Starbucks goes completely unnoticed.
As the script ties itself in narrative knots, Megan Follows never loses sight of the dramatic situation’s overwhelming nature; it’s as if her character is fending off a panic attack at every moment, grabbing onto any scrap of hope she can.