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Members of the company of 'Medusa.' iPhoto caption: Members of the company of 'Medusa.' Photo by Dahlia Katz.

REVIEW: Soulpepper’s Medusa creates a mess it refuses to tidy

Speaking in sibilant murmurs via headsets wired into each seat of the Baillie Theatre, a chorus of intimate voices infiltrates the audience experience, drowning out dialogue and weaving an overstimulating soundscape.

By Ferron Delcy / Jun 29, 2026
Members of the 'Ophis' company. iPhoto caption: Members of the 'Ophis' company. Photo courtesy of Transcen|Dance Project.

REVIEW: Ophis dunks viewers into a gothic experience of Medusa’s psychic landscape

Transcen|Dance Project’s Ophis is a woozy tragedy that courts both playfulness and eroticism, deliberately dissolving the boundaries of stage and audience with an immersive format that’s sometimes thrilling, sometimes terrifying, and sometimes — if you’re a people-pleaser like me — both simultaneously. 

By Lindsey King / Jan 13, 2026