Mirvish Productions
iPhoto caption: Heeyun Park 박희윤 in 'The Great Comet.' Photo by Dahlia Katz.
REVIEW: Natasha, Pierre & The Great Comet of 1812 dazzles in Mirvish transfer
The upscaled edition is slightly different, but it’s still a rave in multiple ways, with lived-in performances making it seem at times even more immediate than at Crow’s. The show feels more like a vibe than anything cohesive, but what a vibe it is.
iPhoto caption: Pictured (L to R): Jake Epstein as Frank, Isabella Esler as Alice. Photo by Michael Cooper.
REVIEW: Britta Johnson’s Life After shimmers in large-scale Mirvish transfer
The show’s tender excavation of grief’s ambiguities hasn’t lost any power in its journey to a bigger house; in fact, it’s clearer than ever.
iPhoto caption: Photo by Matthew Murphy and Evan Zimmerman.
REVIEW: Moulin Rouge! revels in glitz despite a thin emotional core
While Moulin Rouge! remains a fun romp, I wish the musical had embraced emotional truth as eagerly as it did romantic spectacle.
iPhoto caption: Come From Away production still by Matthew Murphy.
REVIEW: Welcome home, Come From Away
On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.