Mirvish
iPhoto caption: Vanessa Sears as Juliet, Julia McLellan as Anne, Matt Raffy as May, and Sarah Nairne as Angelique in '& Juliet.' Photo by Dahlia Katz.
REVIEW: Mirvish’s & Juliet sparkles on the surface despite narrative stumbles
The technical elements of & Juliet are rightfully excessive, fabulous, and gauche, solidifying the camp grounding upon which I came to appreciate the show as a whole.
iPhoto caption: The company of 'Tell Tale Harbour.' Photo by Wade Muir.
REVIEW: Alan Doyle steers a joyful ship in Tell Tale Harbour at Mirvish
The musical makes good on spinning a yarn as warm as a mug-up with music as catchy as a fiddle reel. The asides are wry, the slapstick is generous, and the hearts are big.
iPhoto caption: Heeyun Park 박희윤 in 'The Great Comet.' Photo by Dahlia Katz.
REVIEW: Natasha, Pierre & The Great Comet of 1812 dazzles in Mirvish transfer
The upscaled edition is slightly different, but it’s still a rave in multiple ways, with lived-in performances making it seem at times even more immediate than at Crow’s. The show feels more like a vibe than anything cohesive, but what a vibe it is.
iPhoto caption: Photo by Nanc Price.
REVIEW: Mirvish’s Made in Italy dishes a pleasant but lengthy family feast
Made in Italy is a feat of physical comedy, with creator-performer Farren Timoteo seamlessly taking on the distinct voices and mannerisms of about 10 different characters.