In a near-future version of Toronto’s Trinity Bellwoods neighbourhood, a house turns on its inhabitants. Unsettling phenomena begin to surface: unexplained leaks, invasive moss, and a persistent, otherworldly hum.
By Krystal Abrigo /May 5, 2026
iPhoto caption: Natasha Mumba and Kondwani Elliott Zulu in 'Copperbelt.' Photos by Dahlia Katz.
Natasha Mumba's debut play successfully navigates generations of personal and international histories and expectations, including an unflinching examination, through nice-guy Peter, of Canada’s own role in resource extraction in developing countries.