natasha pierre and the creat comet of 1812

REVIEW: Natasha, Pierre & The Great Comet of 1812 is an exhausting, maximalist delight

I find myself comparing the Canadian premiere of Natasha, Pierre & The Great Comet of 1812 to the caviar the ensemble sings about in the show’s prologue. The production is frequently marvellous, and oozes with luxury in its trimmings and performances. But the show itself, as well as its direction, won’t be for everyone.