Rose is, in many ways, a story oriented around grief — particularly queer and lesbian grief for Indigenous women. But it also centres humour and kinship.
By Madeleine Vigneron /Apr 1, 2026
iPhoto caption: Natasha Mumba and Kondwani Elliott Zulu in 'Copperbelt.' Photos by Dahlia Katz.
Natasha Mumba's debut play successfully navigates generations of personal and international histories and expectations, including an unflinching examination, through nice-guy Peter, of Canada’s own role in resource extraction in developing countries.
Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.