Natasha Mumba's debut play successfully navigates generations of personal and international histories and expectations, including an unflinching examination, through nice-guy Peter, of Canada’s own role in resource extraction in developing countries.
Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.
By Liam Donovan /Mar 10, 2025
iPhoto caption: Set design by Camellia Koo,
Costume design by Judith Bowden,
Lighting design by Leigh Ann Vardy,
and photo by Dahlia Katz. Features Samantha Hill and Amaka Umeh.
At this critical political juncture, as so many forces in the world try to mute and silence women, our Canadian stories merit our advocacy and fervent attention.