q&a
iPhoto caption: Lissete VC in 'Deer Woman.' Photo by Andy Moro.
Q&A: At RUTAS Festival, Tara Beagan’s Mujer Venado / Deer Woman makes its Spanish-language premiere
The translation connects the play’s existing themes to the experiences of missing and murdered Indigenous women across the Americas.
iPhoto caption: Portrait of Eric Woolfe. Photo by Dahlia Katz.
Eric Woolfe’s inventive horror theatre is a monster mash of artistic influences
For the past 26 years, Eldritch Theatre’s director of the uncanny has given ghoulies, ghosties, and long-legged beasties of all kinds a spot in the limelight, in productions that serve up puppets, magic, and a crumbling castle’s-worth of uncanny influences, including schlock-horror B-movies, Shakespeare at his bloodiest, and the fiction of H.P. Lovecraft.
iPhoto caption: Photos of Shalon T. Webber-Heffernan, Paul Couillard, and James Knott courtesy of 7a*11d.
The organizers of the 7a*11d festival want you to know that performance art is still ‘punk as hell’
"There’s something about being live, with a sweaty, stinking, gross, dirty body, that’s just — you’re in it," says collective member Shalon T. Webber-Heffernan. "There’s some kind of alchemy going on that’s addictive to me. I think 7a*11d is sort of the dealer, if you will! It’s keeping us all hooked onto this weird obsession."
iPhoto caption: Michaela Washburn, Teneil Whiskeyjack, Jesse Fervais, Tracey Nepinak, and Valerie Planche in 'Strife.' Photo by Jae Yang.
Q&A: Matthew MacKenzie on Strife and Indigenous sovereignty in storytelling
In plays including Bears, After the Fire, and The First Métis Man of Odesa, Métis playwright Matthew MacKenzie has centred Indigenous perspectives while examining how identity and power operate within both personal and political spheres.