The play cuts through the glossy image of health-care workers as haloed heroes, bringing us closer to people working through exhaustion, hypervigilance, and horror.
It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.
Two years ago, a very scared, small, worn down version of myself sobbed in a bathroom stall. This was after I’d performed in, what I was told, one of the biggest opportunities of my young (not yet even started) career.