Rose Napoli
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Rose Napoli writes the world of Mad Madge with a glittery, fun-filled gel pen
Overall, Mad Madge is a hoot, a compelling story rendered accessible and charming by Napoli’s text and Donaldson’s realization of it.
iPhoto caption: Rose Napoli appears as Margaret in her play Mad Madge. Photo by Dahlia Katz.
Rose Napoli reflects on Mad Madge, rom-coms, and the undeniable power of Patrick Swayze.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: WILDWOMAN at Soulpepper is a magnificent beast
The show is daring, seductive, and unafraid to be absolutely unhinged: you will laugh, and you will be shocked.
iPhoto caption: In Conversation with Jordan Tannahill. Composite image by Aisling Murphy.
When the Playwright Goes Prose: In Conversation with Jordan Tannahill
The Listeners is not a cult narrative, or a Stephen King-wannabe, or a Lolita aftershock — Tannahill’s second novel is a triumph all its own, posing urgent (and at times beautiful) questions against a distressing context of disinformation.