iPhoto caption: L to R, top to bottom: 'The 39 Steps' (photo by Raph Nogal), 'Benevolence' (photo by Jae Yang), 'The Born-Again Crow' (photo by Jeremy Mimnagh), 'Dimanche' (photo by Thomas Müller), 'Last Landscape' (photo by Fran Chudnoff), 'The Merchant of Venice' (photo by Kyle Purcell), 'Slave Play' (photo by Dahlia Katz), 'Waiting for Godot' (photo by Elana Emer), 'The Welkin' (photo by Dahlia Katz).
With the lights fading on another year of fleeting thrills in dark rooms, we asked 12 Ontario performing arts writers to reflect on a moment that stayed with them. The results mainly stem from Toronto theatre productions, but there are a few surprises weaved in.
Dec 19, 2025
iPhoto caption: 'The Far Side of the Moon' at the Shanghai Jing'an Theatre Festival. Photo by Li Wang.
Autumn means it's back to school for cultural institutions on the very large campus that is Canada. But this year, it also marks the beginning of Page Turn, a professional development network for emerging arts writers. To kick things off, we invited participants to answer one question: “What performing arts event(s) are you looking forward to during the fourth quarter of 2025?”
By Page Turn /Oct 11, 2025
iPhoto caption: Photo of Jordan Laffrenier by Sandro Pehar.
Since reading Slave Play, I’ve asked every romantic partner whether or not they experience a racial dynamic between us in the bedroom. No one has given the same answer. What is it that I am asking them to acknowledge in these scenarios? Who is it that I am asking them to hold? What does it mean to hold someone’s history?
World premieres from local playwrights Erin Shields and Kanika Ambrose feature in Canadian Stage’s 2025-26 season, announced this morning. The lineup also includes a Robert Lepage remount and a pair of Tony Award-nominated dramas.