Soheil Parsa
iPhoto caption: Photo by Jae Yang.
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
iPhoto caption: Photo by Jeremy Mimnagh.
REVIEW: On the Other Side of the Sea toys with human desires and fears
The absurdist, magical play follows the unexpected relationship between an idealistic fisherman and a stubborn businesswoman.
iPhoto caption: Poster courtesy of Aluna Theatre
Aluna Theatre brings acclaimed Salvadoran drama On the Other Side of the Sea to The Theatre Centre
Winner of Havana’s prestigious Casa de las Américas Prize for drama in 2010, On the Other Side of the Sea examines identity — not as a cultural construct, but as existential angst.
iPhoto caption: Photos by Dahlia Katz
REVIEW: Monster and Here Lies Henry offer truth, lies, and divine stage action
A pair of one-man plays by Daniel MacIvor, now playing at Factory Theatre, explore what it means to watch.