Talk Is Free Theatre
iPhoto caption: The company of 'It’s a Good Life If You Don’t Weaken.' Photo by Dahlia Katz.
In Theatre Aquarius’ new Tragically Hip jukebox musical, emotion comes first
“This show isn’t about the Tragically Hip,” says director Mary Francis Moore. “It’s about Waleed.” Instead of bending the Hip’s music to fit the narrative, the team has looked for thematic threads and moments where the emotional undercurrent of a song aligns with what’s happening on stage, even if the connection isn’t explicit.
iPhoto caption: Mike Nadajewski in 'All the Cows Are Dead.' Photo by Dahlia Katz.
REVIEW: Two critics compare reactions to TIFT’s new musical All the Cows Are Dead
Liam wrote about observing the production's rehearsal process. Shivani viewed the musical without any insider knowledge. On the way home from seeing the show in Barrie, they discuss.
iPhoto caption: Aidan deSalaiz and the cast of 'Company.' Photo by Dahlia Katz.
REVIEW: Talk Is Free’s Company is valiant but imperfect
Playing at The Theatre Centre, it’s an entertaining staging that, like its central character, is still waiting to completely connect.
iPhoto caption: 'Mischief' photo by Jae Yang.
Tarragon’s Mischief explores activism, matriarchy, and collective grief
“I was thinking about what mischief means to Canada as a country, and what that law means versus what it means to Indigenous people,” says playwright Lisa Nasson. “The antithesis of those two [meanings] I find really fascinating, and they really play into what this story is about.”