In a world where I wasn’t out, Wilde was there to comfort me with an aesthetic pleasure others couldn’t see. Now, I’ve been out for some time, and Earnest is with me in a new way, as a less lonely act — and, now, a loud celebration of the possibilities of queerness.
By Gwen Caughell /Apr 3, 2026
iPhoto caption: Mirabella Sundar Singh as Cecily Cardew and James Daly as Algernon Moncrieff in 'The Importance of Being Earnest' at the Grand Theatre. Photo by Dahlia Katz.
"The entire physical production has been enacted to get people to try to keep their ears and their eyes open to all the code that Wilde has placed into the play," says director Alistair Newton.
Though feminism had of course been around for years, it had become a pressing topic for their generation at that time. And as women working in the theatre. “We were trying to establish ourselves as people in an industry that usually looked upon us as less than,” says Martha, “and as adjuncts, and as supporters, and subordinates.”
Andrew Lawrie, Jessica McGann, Harriet Gratian, and Alex Furber talk about the moments things go awry in this fourth episode of Stage Door Confessional.
hosted and produced by Thalia Kane, produced by Kelly McNamee /Nov 23, 2017