Theatre Centre
iPhoto caption: Kate Martin in 'Troilus and Cressida.' Photo by Kyle Purcell.
REVIEW: Shakespeare BASH’d brings focus to the mystifying Troilus and Cressida
This spare, thoughtful staging prioritizes a clarity of text that comes through even when the script’s overall trajectory is less than clear.
iPhoto caption: Photo by Audrianna Martin Del Campo.
Speaking in Draft: Veronica Hortigüela and Annie Luján
“Toronto needs to take comedies more seriously,” says Luján. “Comedy is not making people laugh every few minutes. In my mind, if people aren’t peeing their pants, we didn’t work hard enough. I think we can raise the bar on how out-of-control laughing we can make an audience.”
iPhoto caption: Production still courtesy of The Bee's Knees.
REVIEW: The Bee’s Knees falls short of its timely premise
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
iPhoto caption: Dead Broke production still by Calvin Petersen.
REVIEW: Comedy-horror hybrid Dead Broke successfully spooks
While the non-horror aspects of the show lean towards the more amateur, the scares are incredibly successful. This show pulls off the theatrical horror with seeming ease: That’s reason enough to check it out for yourself.