REVIEW: No One’s Special at the Hot Dog Cart is a heartfelt slice of autobiography
As a memoir, Charlie Petch's play has significant power, and the writing — laced with occasional jaunts into poetry — often resonates.
REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended
In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.
REVIEW: Migraaaants is not a dark comedy. And that’s okay.
From the very beginning of playwright Matei Visniec and director Siavash Shabanpour’s Migraaaants, the show's narrator is domineeringly captivating.
Toronto premiere of Migraaaants set to open in January
An immersive play about human migration is coming to Toronto this month.