Thomas Morgan Jones
iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.
REVIEW: Anusree Roy’s Through the Eyes of God is a fast-paced, one-woman thriller
This sequel to Pyaasa revisits the themes of motherhood and sacrifice in present-day India through the experience of Chaya, a lower caste Bengali woman.
iPhoto caption: Headshot by Andy Moro.
Tara Beagan wins 2025 Governor General’s Award for drama
Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.
iPhoto caption: Byron Abalos in 'The Veil.' Photo by Raph Nogal.
REVIEW: The Veil brings stripped-down psychological thrills to the Crow’s Theatre Studio
While the world premiere solo show’s attempts at societal critique sometimes lack precision, director Helen Juvonen’s subtle, atmospheric production makes for an unnerving horror theatre experience.
REVIEW: Feast at Prairie Theatre Exchange captures the 21st century’s tragic sprawl (Winnipeg)
As Thomas Morgan Jones’ boldly abstract production unfolds, it becomes clear that Guillermo Verdecchia has turned to narrative only for the sake of testing its limits.