Yvette Nolan
iPhoto caption: Tracey Nepinak and Teneil Whiskeyjack in 'Strife.' Photo by Jae Yang.
REVIEW: Punctuate! Theatre’s Strife opens up perspectives on grief, activism, and the oil industry
Playwright Matthew MacKenzie and director Yvette Nolan have crafted a drama in which every character is worth hearing. What follows is my attempt to listen — perspective by perspective.
iPhoto caption: The company of 'The Welkin.' Photo by Dahlia Katz.
REVIEW: The Welkin careens from raucous comedy to crushing tragedy
The problem with human rights is that, if you believe in them, you have to apply them to everyone. Political opponents. Murderers. Your ex. People whose phones go off at the theatre. Women. The character of Sally puts this theory to a stress test; in bahia watson’s assured hands, she’s gleefully unlikeable, glorying in a storm of suspiciously modern swearing, lacking any flicker of conscience, and biting the hands that are trying to help her.
iPhoto caption: Members of the company in 'Ransacking Troy.' Photo by David Hou.
REVIEW: At the Stratford Festival, two adventurous new plays reflect on war
Erin Shields’ brilliant Ransacking Troy reimagines one of Western culture’s foundational narratives — the Trojan War — from the perspective of the women implicated in it. And in The Art of War, Yvette Nolan thoughtfully imagines the life of a Canadian soldier-artist in the Second World War, who’s wracked both by what he witnesses and the responsibility of recording it.
iPhoto caption: Lucy Peacock as Lady Macbeth and Tom McCamus as Macbeth in Macbeth. Photo by Ted Belton.
Stratford Festival unveils 2025 season, including the return of Robert Lepage
Next year’s season includes two beloved musicals as well as the return of acclaimed director Robert Lepage, who will direct Macbeth at the Avon Theatre.