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“I warn my friends before they come — I’m like, ‘it’s a long show!’” says Jordin Hall, who plays Posthumus in Stratford's Cymbeline. “And then by the end, they’re all usually like: ‘it didn’t feel that long.’ That’s the greatest compliment they can give us — that we kept them hooked for three hours of crazy, not-often-done Shakespeare.”
Crow’s Theatre reveals intimate cabaret programming
This season, the company will present Crow’s Cabaret, a series of concerts and small-scale productions, alongside its roster of larger plays.
REVIEW: The Play That Goes Wrong dazzles at Theatre Calgary
The Play That Goes Wrong is a sparking-flaming-smoking car crash that you just can’t take your eyes off of. A fiery, racing delight, this is not a production to be missed.
Gatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
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