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REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale

Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.

Siranoush and Songs by a Wannabe arrive at Toronto Fringe Festival as part of reimagined Next Stage Series

“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”

REVIEW: Is Tim Crouch’s An Oak Tree worth seeing twice at Luminato?

Crouch tests the limits of theatrical representation, improvisation, and authorship. While I’m usually a sucker for exactly those types of experiments, I ultimately found An Oak Tree a bit underwhelming.

REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond

I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.

Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles

“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”

REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual

Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.