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Kelly McNamee
Kelly is a Toronto actor, music-maker, and storyteller. She is in an-all female folk trio called Lunar Bloom and is part of Glamour Cuts, a group of actors turned filmmakers. She enjoys yoga, talking on the phone, and tea.
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iPhoto caption: Christina Tannous and Béatrice René‑Décarie in 'Le Malentendu.' Photo by Mathieu Taillardas.
REVIEW: TfT delivers humour and cruelty in striking rendition of Camus’ Le Malentendu
Director Karine Ricard banishes all earthly joy from the scene, leaving behind an almost lunar coldness.
iPhoto caption: Headshot by Andy Moro.
Tara Beagan wins 2025 Governor General’s Award for drama
Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.
iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.
REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre
The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.
iPhoto caption: Shaakir Muhammad, Christopher Gerty, and Matthieu Pagès with artists of the National Ballet in 'Procession.' Photo by Karolina Kuras. Courtesy of the National Ballet of Canada.
REVIEW: National Ballet’s Procession tangles the lines of sorrow and sensuality
Procession, the National Ballet of Canada’s brooding and stylized world premiere ballet, rushes to the stage with startling vitality — and does so at a funeral.
iPhoto caption: The company of 'CHILD-ish.' Photo by Jae Yang.
REVIEW: Tarragon’s CHILD-ish takes a hopeful and hilarious look at life through kids’ eyes
It’s a giggly good time, if a pinch oversweet.
iPhoto caption: Vincent LeBlanc-Beaudoin, Drew Moore, and Peter James Haworth in 'Abraham Lincoln Goes to the Theatre.' Photo by Emelia Hellman.
REVIEW: At Ottawa’s GCTC, you won’t expect what happens when Abraham Lincoln Goes to the Theatre
Sarah Kitz’s production leans into the play’s real strength: its exploration of narrative. The characters attempt to narrativize the play’s events before, after, and even while they take place. But their failure to impose narrative logic onto complex realities only results in escalating cycles of violence.
Theatre this Week: April 8 – 14
These are the plays to see in Toronto for the week of April 8th - 14th, 2019.
Theatre this Week: April 1 – 7
These are the plays to see in Toronto for the week of April 1st – 7th, 2019.
Theatre this Week: March 25 – 31
These are the plays to see in Toronto for the week of March 25th - 31st, 2019.
Theatre this Week: March 18 – 24
These are the plays to see in Toronto for the week of March 18th – 24th, 2019.
Theatre this Week: March 11 – 17
These are the plays to see in Toronto for the week of March 11th – 17th, 2019.
Theatre this Week: March 4 – 10
These are the plays to see in Toronto for the week of March 4th – 10th, 2019.
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