My-Post-23
Mariam Ahmed
Mariam is Associate Editor at Intermission. Mariam earned her Honours BA in English literature from York University and recently completed a Graduate Certificate program from Centennial College in Book and Magazine Publishing. When she's not busy reading books and plays, she takes pictures of books for her "Bookstagram", watches as many movies and shows as she can, and is a self-proclaimed Chocoholic.
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iPhoto caption: Photo by Dahlia Katz.
In 1939, Indigenous students bring their living culture to one of the Bard’s problem plays
“There’s no monolithic experience of residential school,” says co-playwright and director Jani Lauzon. “There are some really extraordinary plays already written about residential schools that deal with that [more tragic] lens. We set out to write a different kind of play, with a different gaze.”
iPhoto caption: Photo by Jeremy Mimnagh.
Roberto Zucco marks a new era in Buddies’ history of queer theatre
Toronto theatre can be a bit risk-averse. Artistic directors, constrained by limited funding, program obvious crowd-pleasers over boundary-pushing experiments. Playwrights, afraid to ruffle feathers, create spaces that validate the public’s...
iPhoto caption: Headshot courtesy of Justin Miller.
Speaking in Draft: Justin Miller
“I love to laugh,” says Miller, an actor, bouffon drag clown, performance artist, and teacher extraordinaire. “Some of the most impactful and meaningful experiences I've had have been shared through a comedic lens. I think you have a far better chance of actually changing people with comedy, because it's in moments of surprise and subversion of expectation that you have a chance to knock them off their balance, and maybe show them something new.”
iPhoto caption: Photo by Johan Persson.
REVIEW: Life of Pi gleams with unforgettable puppets
Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.
iPhoto caption: Photo by Elana Emer.
REVIEW: Infinite Life thrums with meditations on chronic illness and pain
Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: In Rosmersholm, ghosts abound
While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
Theatre This Week: February 3 – 9
These are the plays to see in Toronto for the week of February 3rd - 9th.
Season Announcement: Canadian Stage 2020-2021
“What audiences will see and experience on our stages are world-leading theatre makers and choreographers from Canada and around the world and this could not have been achieved without our incredible community partners.”
Theatre This Week: January 27 – February 2
These are the plays to see in Toronto for the week of January 27th - February 2nd.
Every week, Intermission's Insider Intel articles one theatre across the city, highlighting everything you need to know before your visit. This week: Soulpepper!
Theatre This Week: January 20 – 26
These are the plays to see in Toronto for the week of January 20th - 26th.
Obsidian Theatre Announces its New Artistic Director
"Over the course of my career, I have been passionate about creating work that explores the depth and breadth of the Black voice in its many artistic dialects and having an opportunity to continue to do this within the context of Obsidian is such a gift.”
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