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REVIEW: Tarragon’s Craze lacks focus — that’s what makes it fun
A frenzied test of endurance, Craze whips along like a social media feed on steroids, sprinting from image to image with wild, masculine bravado.
A Lord of the Flies adaptation hits the Hart House Theatre stage this weekend
Andrea Perez is set to direct the student-led production, which will reimagine the story through a de-colonialist lens.
REVIEW: Erased at TPM sends its greetings from a precarious future
It’s in the moments of poignant ambiguity that Open Heart Surgery Theatre and Theatre Passe Muraille’s Erased really succeeds in firing up the audience’s imaginations, inviting us to try envisioning a better future.
REVIEW: Baram and Snieckus’ Big Stuff uses improv to explore the materiality of grief
The couple’s Second City-tested comic repartee keeps the show moving with delicious lightness.
Why I’m tired of cripface in Toronto theatre
Cripface is when an able-bodied, or able-passing, person performs a disabled experience that isn’t their own. Local theatre companies large and small, indie and established, have engaged in this practice.
REVIEW: The Bidding War is a Lear-worthy extravaganza of housing hell
Ultimately, Albert’s play isn’t just about the house; it’s about a sort of cosmic fairness that has never existed, and how we might feel justified in tipping the scales in our favour after seeing the unscrupulous get rewarded again and again.
IBPOC Critics Lab: Call for Participation
The Stratford Festival and Intermission Magazine are pleased to bring the IBPOC Critics Lab to Canada in the summer of 2023. Developed and led by cultural critic Jose Solís, the...
DIGITAL THEATRE: HOW IS IT WORKING?
The Next Stage Festival in partnership with Intermission Magazine held a panel discussion on digital theatre as part of the Community Booster series. Watch panelists Rob Kempson and Isaac Thomas...
Show Announcement: The Company Theatre’s Things I Know to be True
The Company Theatre has announced that their next production will be Australian playwright Andrew Bovell’s Things I Know to be True in partnership with Mirvish Productions.
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