Across the country, second productions are rare, especially for shows that premiered pre-pandemic. With this in mind, I spoke to five theatre folks about the Canadian play that each of them thinks deserves another live production.
By Nathaniel Hanula-James /Apr 10, 2026
iPhoto caption: Shira Leuchter in 'The Haunting' at Tarragon's Greenhouse Festival in 2024. Photo by Matt Hertendy.
In plays including Bears, After the Fire, and The First Métis Man of Odesa, Cree-Métis playwright Matthew MacKenzie has centred Indigenous perspectives while examining how identity and power operate within both personal and political spheres.