From a dancer becoming a canine to a shy theatre director practicing his swordsmanship, the shows I’ve seen so far use performers’ bodies to dramatize defiance.
By Liam Donovan /Aug 14, 2026
iPhoto caption: Compagnie de Fakto's 'C'est la vida.' Photo by Julie Cherki.
Theatre of the Beat selected four producers under the age of 30 to receive paid mentorship from Toronto theatre-makers. From August 20 to 22, each member of the cohort mounts a new one-act Canadian play.